I was scanning through the site and saw this:

https://www.elbiefree.com/rants-n-raves/state-of-the-trilogy

And realized WOW, i did not make my goal. In the above mentioned blog I said book 3 would be done by 2018 come hell or high water. Well, it's not done and here's what I have to say about that. I did finish complete the 1st draft that November and at over 120k words.

Then it was submitted to my critique group. We have a 5k word maximum for each submission so getting the whole thing by them took most of a year. I also had my writing mentor read it. After it was all said and done I have over 600 comments to address and who knows how much rewriting and restructuring. Not to mention I am still reading several books to make sure I have correct ideas. 

So all that to say. It's really, really, happening. 70 chapters. New characters and old. And completed character  arcs to boot. It's gonna be good y'all. I can't wait for you to read it. I will be asking for beta readers. If you are interested please hit me up on Twitter or Facebook.

​Here is what editing a novel can look like.

​I’m done!
 
Sort of.
 
I can’t believe it took me almost three years to get through the first draft of book 3. But I have completed the final scene, full story arc complete with an inciting incident, defeats and victories, and of course the climax and falling action.
 
But wait there’s more!
 
The first draft, phase 1, is just the beginning. On to phase 2, the rewriting. This is where I get to take all the feedback I’ve gotten from my workshop group and my writing mentor and make upgrades. Rewriting is the heart of writing if you ask me. For a pantsters like myself (writers who don’t use plot outlines,) writing the first draft is like wandering around a dark room trying to find the light. As you grope around you get an idea of the shape of the room and what is in there. Turning on the light is finishing that draft when you get to finally see what it is you’ve got. Rewriting is my favorite part because now I get to really dig into what I’ve discovered and hone it into the best it can be. This is my chance to bring things out, dust them off and let them shine. I can do more nuanced dialogue, stronger foreshadowing, and get the continuity of action shored up.
 
Phase 3 will be finding Beta readers. Phase 4 is the editing from that. And once I am truly convinced of story and all of its parts, I will finally be at phase 5, the actual editing from a professional editor (because you should never edit your own work. Never ever.)
 
Once I make all the updates I get from the editor, a little bit of formatting and THEN I will be ready to publish.
 
Woo.
 
I still have a ways to go, but I’ve  gotten through the gauntlet of getting my idea on paper.

​The old adage is that writers write. I'm a writer, I have two books you can buy right now. Haven't written much in three months.
 
I'm not going to say I have writer block. It may be, but I'm not convinced. I think it's more akin to extreme procrastination. I am avoiding writing. I don't know why but I am. Once I sit down and start doing it I'm fine, it's the getting started part that I am struggling with.
 
Part of the problem is distraction. Unlimited data is not my friend. Netflix and Hulu must think I'm bed ridden. Ray Bradbury has strong opinions about TV and he is not someone I would lightly dismiss.
 
In addition, for the last two years I have been obsessing over various fandoms. (Looking at you RvB and Star Wars.) Other fans are a source of great delight to me but it is a deep hole that can be hard to get away from, especially if I am facing a hard scene.
 
Lastly, people. There is a lot of demand on my time. I strongly believe that investing in the right relationships is important but it has come at a cost and that price has been my dedicated writing time. I have to schedule that time and I have to defend it, vehemently, or it will never happen.
 
I am not saying any of these activities are bad. All I am saying is that for me they are not helping me advance in my writing. If it doesn't contribute to my current goal of finishing book three it has to be set aside.
 
So. This is what I am resorting to. My goal, once a day, just write one sentence. That's it. Five to fifteen little words in the context of my story.
 
But you see it’s trick. Once I write one sentence the next one comes pretty easily. In no time I have a bona fide paragraph. And then I am on my way. As a precaution I have made myself accountable to someone. I text them that I have done my sentence. If they don’t hear from me they ask about it. Somedays I only have enough energy for the one sentence, but it’s still progress, I am still moving forward.
 
This is nothing new, it's Anne Lamont's bird by bird story. Start with one word, then do another. Don't think about the big picture. Focus on that one thing. Because all I need right now is my shitty first draft and the only way to get that is laying down sentences one word at a time.

I love going to the movies, always have since I was little. As a fan of movies as medium for telling stories and as a writer I have a keen interest in books with movie counterparts. I personally prefer to read the book first before seeing the movie if at all possible, but that’s just me.

So I have finally gotten around to reading “All You Need is Kill.” This is a book by a Japanese author, Hiroshi Sakurazaka, that the movie “Edge of Tomorrow” is based on. It’s short, a quick read. A little over the top in some places and it does not pull any punches when it comes to war in its purest brutality.
​
I had a particular interest in this story because I wanted to see how the author wrote the time jumps and repeats. Turns out, it’s actually pretty simple. Deftly done in way that it doesn’t actually repeat the same tuff over and over verbatim. Sakurazaka switches it up to keep you reading and the pace never slows (the movie handles the looping in a similar way, unlike Groundhog Day.) As a writer, it is worth looking at the technique he used.

The weirdest thing about the book versus the movie is that the plot of the movie is significantly more complicated. Usually you have to strip a novel to just its main action for the sake of time (i.e. Ender’s Game) but not here. Except for a few flashbacks, we pretty much never leave the army base that the main character, Keiji, wakes up in every time he dies.

There is no scientist that worked with Rita when she was stuck in the time loop. And all training is on the day of battle, during the same battle over and over (implied.) No training room montage with cheeky banter. Though seeing Tom Cruise get beat up by robot arms is pretty gratifying.

The movie slows way down when Cage, Tom Cruise’s character, tries to break the repetition of days by running away. This happens in the book too, but only once and it’s a much shorter scene and ends in an unexpected way.

The biggest point of divergence is of course the end. I will not give anything away but I have read other science fiction novels by non-Americans and it’s pretty easy to tell American writers from others, at least with the books I have read. I find writers from other countries are okay with having wide open endings with no sequel in mind. Unsettled endings and unanswered questions, not an issue. Leaving the reader in a destination they had no idea they were going to and have no way of getting back from doesn’t bother them one bit. As a child of the 80s and the American sitcom this is not how I like to walk away from a book.

But anyways, the ending of the book took me by surprise from the moment it started and I liked that. And when I think about how the movie went about solving the problem of the time loop and its creators I just think, why mess with what the author had intended? It was so much better. Why add complication where none is needed?

I’m sure it was a decision made by the powers that be at the movie studio but to me it’s an insult. Either they didn’t trust the actors to pull off that kind of complexity or they didn’t trust the audience to be able to feel something without having to have loud music and contrived conflict. See what I mean? Insulting.
​
One point of cool for the book in particular. The author has included an alternate chapter sequence (below.) It ends on the same chapter but huge chunks are moved around. I intend to re-read this book with this order in a few months. I want to forget it a little bit so I can enjoy it more and be surprised again.

If you’re so inclined and don’t mind some colorful language or violent deaths, I recommend reading this book. The movie's pretty good too.

Because of the terrible weather that day I didn't make it to the after party for NaNoWriMo. There you can bring two pages of our novel to share. Since I didn't get to share it there, I will share it here.

Downtown Los Angeles, 3:00pm

Lysandra watched the steam from her coffee swirl in the afternoon sunlight. Her mind turned over all the possible explanations for the consistent smell of boiled cabbage that permeated the tiny cafe.

“So...” Matt sat down across from her with his usual glass of whole milk and a warmed chocolate chip cookie.

The Formica table they sat at looked like it had been stolen from a fifties drive-in dinner. The small mom and pop type shop was directly across the street from the Department of Planetary Affairs building. When the DPA had fist moved into the neighborhood people were alarmed by their presence. The imposing uniforms with classified weapons and an association with the government intelligence and the mystique of dealing with aliens unnerved people.

Lysandra imagined this must be what it’s like to be a cop, a strangely contradictory position for her. The nervous looks and the way people moved out of the way for them wherever they went. She had never liked giving the authorities deference and she certainly did not like receiving it.

But now after months, the area workers and residents had gotten used to them and the interactions with public were usually positive. Putting names and faces with mysterious members of the DPA really helped people feel more comfortable with their presence. Most officers had gotten used to the impromptu question and answer sessions citizens asked them. Commander Draegg had been very pleased with this turn of events.

Matt cleared his throat.

“Sorry,” Lysandra shook herself and took a sip from her coffee. “What were we talking about?”

“We weren’t. You’ve been suspiciously quiet all day.”

“What’s suspicious about it? You’re the one who usually does all of the talking anyway.”

“Not all of it. And yes, I have always been more talkative than you, but today it’s like you’re not even here.”

“Sorry, I’m distracted.”

“By...”

“It’s nothing.”

“Uh, I wouldn’t call staying out all night nothing.”

Lysandra could feel the heat in her cheeks. She was not going to be discussing her sex life Matt of all people. The thought made her cringe. How many people knew she had been off the premises all night? Did it matter? She had never cared what people thought about her before, but it could make for awkward working relationships.

“Edward Drake asked me to marry him.”

Matt gagged on his milk and started coughing violently. Lysandra jumped up from her chair and got him a cup of water. She patted him on the back until he regained his composure. “Are you being serious?”

Lysandra nodded solemnly.

“What did you say?”

“What any sane person would say, ‘we’re not going to talk about this.’”

“Uh- huh.” Matt turned in his chair to sit square with the table and held his milk at arm’s length, silent and unmoving.

“Speaking of which, how was your date?”

“Not yet, no changing the subject on me.” He relaxed again and looked at her. “So what are you going to do?”

“Do? There’s nothing to do.”

“Well you have to give him an answer.”

“No I don’t. Where’s the rule on that?”

“Lysandra. Come one. The guy is—“

“Is what, Matt? Being vulnerable with me? Going out on limb? Exposing his soul? What are you going for here, buddy?”

“Okay, sarcasm is your defense mechanism. So for whatever reason, this is hitting a raw nerve. But yeah, all those things. This is some serious stuff.”

“Okay. Now you and me are not going to talk about it.”

“Hey, woman, you’re the one who brought it up with me.”

“True. But only because you’re supposed to agree with me. You’re my friend, on my side, partner.”

“Friends don’t let friends act stupid unless it will be hysterical.”

“I. Am not Derek.” Lysandra tapped the table with each word. “So you do not get to make jokes at my expense.”

“I’m just being honest. I don’t like the guy but I think he’s good for you.”

“Why don’t you like him?”

“For all the same reasons you shouldn’t like him either.”

Esben was the Elbie, not the man. Esben had been the worst of them all and caused all of them the most suffering. Edward, as a host, had not come onto the scene until well after the damage had been done. Being allied with the worst Elbie of them all did not help his case in the eyes of Matt and his friends.

“You mean you don’t like his Elbie.”

“I don’t like either of them, but as a host Edward has really tamed that Elbie and I’m sure the world is a better place for it, even though he refuses to register or cooperate directly with us.”

Lysandra drew doodles in her cup sleeve with her thumb nail. Edward and Esben were very distinct entities that happened to work really well together.

“You’re smiling.”

Lysandra looked up. “What?”

“I said, you are smiling.”

“Shut up.” She sat up in her chair and took another sip of coffee. Matt broke off pieces of his cookie, looking at her. “Fine, Matthew. I’ll think about it.”
​
“There ya go.” He gulped down his milk in triumph.

My first obsession was (and still is) Transformers G1. I love Optimus and his Autobots. I'm also a sucker for classic good versus evil showdowns that were so prevalent in cartoons of the 80s: Justice League vs. Legion of Doom, Thudercats vs Mumra, G.I. Joe vs. Cobra, X-Men vs. Brotherhood of Mutants, He-man/She-Ra vs. the Horde, et al. 

But what good are Prime and his noble Auotobts without Megatron and the Decepticons? You can't have one without the other. I'm not an advocate of wars or violence but there is always a fight to be won. It could be in your own head, a co-worker you don't get along with, whatever the obstacle(s), life is a series of battles. And the thing about those battles is the people that see you through, that fight along side you in those things, you never forget. Sometimes they are the people you fight and you realize you've picked the wrong battle and now you're best friends. 

Which brings us to my newest obsession. Red vs. Blue. A certain streaming service that shall remain nameless, had been recommending it to me for a while now and I finally decided to give it a try. That was two months ago and a day hasn't gone by that I haven't spent sometime watching the show. In two short months I have probably watched every episode five or six times. 

I had this vague notion that it was based off of the Halo universe. I'm not a gamer but I have played Halo 3 at a friends house so I had a little background on things. But then when I ran out of RVB episodes I needed more. So to the Halo universe I turned. Suffice it to say You Tube has been scoured for in game videos and I am almost done with the 3rd book of the series. And several of the comics from my local library have been read and returned. (Master Chief is the Optimus Prime of the Halo universe. But this is a great topic for another time.)

Now when I get hooked on something like this I like to stop and ask my self, why? What is it about this thing that has gotten a hold of me? It didn't take long to realize it was the Transformer affect all over again. What that means for me, is characters, it always come down to character for me. But it's the chemistry of all of them together. The interplay between the factions and even within the factions. The relationships. I don't know if the writers of the original TF had that in mind and I don't know if the writers of RVB do either, but it's there. 

The best part about RVB is that it started out so organically and the creators have really upped their game as their fan base has grown and they've taken all of intertwining relationships as seriously as the fans do. Season 13 is currently underway and it's still great character building with the humor and heart that it started with. RVB has really nailed that camaraderie that comes with fighting along side and often against other people but coming out of the fray all the more wiser for it. 

That is the other thing about the sim soldiers in red and blue. Everyone is exactly who they are and are totally accepting of who they are within themselves. The integrity of the characters never waivers and I personally really appreciate that. To be honest, do not judge the series on the the first four seasons. You may like the humor, but I recognize it is not for everyone. My favorite season so far is 10, but the stories and animation start getting really sophisticated in season 6.

I recommend you watch season one as a foundation, then jump to five and watch everything after it in order. If you are in love with the knuckleheads by the end of season ten, go back to two, three, and four so you can see how far they've come. My deepest appreciation to Rooster Teeth for giving me my newest obsession and the other fans who have just as much fun with and love for it.

One of my favorite things about writing has always been naming characters. First it was just about the sound of the name or the significance of the name but it quickly became about the meaning of the name. I think it's important that as you build your characters you take their names into serious consideration.

I think I have a preconceived notions about certain names and these names often get used to fill side characters as a kind of stereotyping. Like Arthur. First things that pops in my head is King Arthur. I don't think of a bear, which is what Arthur means, I think nobility and integrity. This is how I feel about many English/Welsh names.

Sometimes I discover a cool name and I want to find a person to go with it. This is the case with Esben. It's a male name that means "god." With that kind of name I needed a character who thought the world of himself. I wouldn't say Esben is conceited but he is extremely confident and sure of who he is and what he wants.

On occasion I have characters that name themselves. When this happens I think a lot about the meaning. What is my subconscious trying to tell me? I have a fantasy type character who just appeared one day and I knew that his name was Thomas, which means twin. Thomas Anderson is Neo from the Matrix. Neo is the twin of Thomas, they are two sides of the same person. I haven't found the actual twin of my Thomas which makes me think it's metaphorical. 

The only precaution regarding naming is you want to mix it up. Don't have all your characters names start with the the same letter or the reader will get confused. If all the names rhyme or end with the same sound it could get confusing too. Say the names out loud. List them together and see how they look on the page.

In this day and age it doesn't hurt to have a unique name but always Google it make sure it's not already taken by some famous book or movie you aren't familiar with. That is of course you are wanting to create an association in the readers mind, i.e. Darcy.

When in doubt workshop it or take a poll. You'll know the right name when you see it.

Book Two will be released on March 27th on all ebook platforms. While  written to be read as a stand-alone book, Linchpin is a continuation of characters from Trespassing. Just in case you still don't have Trespassing it will be free on Kindle March 27th-29th.

The print version of Linchpin will be release mid-April.