If you're a writer type, it's possible that you have heard about this little thing called National Novel Writing Month. I did NaNoWriMo for the first time in 2009. It was spontaneous choice I made on October 31st. As suggested by the NaNo handbook, I acrually started with "Once upon a time." I had no idea what my story was going to be about at all. And yet... something happened. 

Here's the thing you need to know about my writing process. I spend years mulling over my stories. Characters live in my head for years. Years. Lysandra first came into my brain in 1988. My next story world I am working has been in my head for 20 years. To start a story with absolutely no ideas of any kind was terrifyig. 

And yet.

Day after day as I pushed myself to get those 1667 words down and somehow people sprang from the page along with locations and situations just appearing from the depths of my being. It was hard and exhilerating. Some days I was was just exhausted and other days I was sentence dynamo.

I've won NaNo three times. And I can say that once you hit 30k, you feel invincible. After that, another 20k feels like a breeze. I like partcipating in NaNo every year to help push myself to get a lot done. It helps to get my writing habit back on track. And it is fun meeting with other writers. I never regret talking to other writers.

My favorite part about NaNo is that even if you don't "win", you still do. You may not reach 50k words but you will have a whole lot of new material and that is the most important part. You have something on the page if you are ever going to be a writer. 
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If you are trying to decide if you should do it or not, I say go for it! NaNo is not for everyone, but I think everyone can benefit from pushing themselves to the brink like that, at least once. You will be surprised at what comes out of you. 

​I’m done!
 
Sort of.
 
I can’t believe it took me almost three years to get through the first draft of book 3. But I have completed the final scene, full story arc complete with an inciting incident, defeats and victories, and of course the climax and falling action.
 
But wait there’s more!
 
The first draft, phase 1, is just the beginning. On to phase 2, the rewriting. This is where I get to take all the feedback I’ve gotten from my workshop group and my writing mentor and make upgrades. Rewriting is the heart of writing if you ask me. For a pantsters like myself (writers who don’t use plot outlines,) writing the first draft is like wandering around a dark room trying to find the light. As you grope around you get an idea of the shape of the room and what is in there. Turning on the light is finishing that draft when you get to finally see what it is you’ve got. Rewriting is my favorite part because now I get to really dig into what I’ve discovered and hone it into the best it can be. This is my chance to bring things out, dust them off and let them shine. I can do more nuanced dialogue, stronger foreshadowing, and get the continuity of action shored up.
 
Phase 3 will be finding Beta readers. Phase 4 is the editing from that. And once I am truly convinced of story and all of its parts, I will finally be at phase 5, the actual editing from a professional editor (because you should never edit your own work. Never ever.)
 
Once I make all the updates I get from the editor, a little bit of formatting and THEN I will be ready to publish.
 
Woo.
 
I still have a ways to go, but I’ve  gotten through the gauntlet of getting my idea on paper.

“Good things come to those who wait.” A popular mantra since 1892. I recently saw a modified version of that quote that crossed out “wait” and replaced it with “work their asses off.” In this case, both are true.
 
Some of you have asked, and I really appreciate your interest, when book three will be out. My original hope had been this year, already. I had hoped to be done with it in 2015.  But alas, that is not the case. It WILL be published in 2018 or I will die trying.
 
When I started book one I had no idea it would lead to a second or third book. And I definitely did not have any notion of where the trilogy would (will) end.  (Word to the wise, don’t publish anything until you know how it’s going to end.) Anyways, once I had completed Trespassing, I had no conscious plans to do another book. Linchpin just came out of nowhere and writing it was so easy. So easy. I emphasize this because book three has been anything but easy. Book three, Iteration, is making me work for every single word. Which is fine, it’s just pushed back my timeline. When I was explaining to my writing coach what I wanted to accomplish with book three I realized it is an ambitious undertaking so it will need time to make sure it’s done right.
 
I have had to work for absolutely every word and I hope they are worth it. At the moment the word count is hovering around 100k, the wordiest of the three. I will wrap up the first draft by the end of November and then it will go through the hoops with my workshop group, writing coach, and finally the editor. Who knows how many words will survive after all of that. In any case, the waiting will be well worth it. I promise.
 
As to the why behind a third book, is really because – trilogy. Everybody loves them. Two books doesn’t feel complete. There is something so satisfying about sets of three, ask any art or writing major.
 
For the release of book three, I hope to publish a definitive collection of DPA/Elbie material. Including all the short stories, the graphic novel, and an alternate beginning to Trespassing. It’s going to be a big deal you guys. So I have my work cut out for me over the next six months, working my ass off, so that once the wait is over, you will be very happy with the results.

​The old adage is that writers write. I'm a writer, I have two books you can buy right now. Haven't written much in three months.
 
I'm not going to say I have writer block. It may be, but I'm not convinced. I think it's more akin to extreme procrastination. I am avoiding writing. I don't know why but I am. Once I sit down and start doing it I'm fine, it's the getting started part that I am struggling with.
 
Part of the problem is distraction. Unlimited data is not my friend. Netflix and Hulu must think I'm bed ridden. Ray Bradbury has strong opinions about TV and he is not someone I would lightly dismiss.
 
In addition, for the last two years I have been obsessing over various fandoms. (Looking at you RvB and Star Wars.) Other fans are a source of great delight to me but it is a deep hole that can be hard to get away from, especially if I am facing a hard scene.
 
Lastly, people. There is a lot of demand on my time. I strongly believe that investing in the right relationships is important but it has come at a cost and that price has been my dedicated writing time. I have to schedule that time and I have to defend it, vehemently, or it will never happen.
 
I am not saying any of these activities are bad. All I am saying is that for me they are not helping me advance in my writing. If it doesn't contribute to my current goal of finishing book three it has to be set aside.
 
So. This is what I am resorting to. My goal, once a day, just write one sentence. That's it. Five to fifteen little words in the context of my story.
 
But you see it’s trick. Once I write one sentence the next one comes pretty easily. In no time I have a bona fide paragraph. And then I am on my way. As a precaution I have made myself accountable to someone. I text them that I have done my sentence. If they don’t hear from me they ask about it. Somedays I only have enough energy for the one sentence, but it’s still progress, I am still moving forward.
 
This is nothing new, it's Anne Lamont's bird by bird story. Start with one word, then do another. Don't think about the big picture. Focus on that one thing. Because all I need right now is my shitty first draft and the only way to get that is laying down sentences one word at a time.

In the past I have posted pictures of what some of my characters would wear. Since I am working a lot with the four, Brendan, Kristy, Matt, and Derek, in book three I wanted to expand that a little bit. So here you go.

I've mentioned it before here, but I want to say it again. I plant Easter Eggs in my stories. So if you're reading something from me and wonder, did that come from INSERT NAME? It's a good possibility, especially if it's from a movie. For example, I am working on Book 3. I just used the number 117 for something. 117 is an intentional reference to Halo, Master Chief's school designation, John-117.

Below are the lists for the first 2 books. No spoilers.

Book 1 - Trespassing:
Chapter 1, section 3 we get a quick background on Walter Fielding, a newly retained host. As mentioned above, The Money Pit is the source for Walter’s name, wife’s name, location and vocation.

-Top of Chapter 2. “How not to be seen” is a reference to a Monty Python sketch.

-In Chapter 3 the IT room they are in is “room 101”. Room 101 is from George Orwell’s book, 1984 and is a place of personal nightmares. By using this reference I am attempting a subconscious connection to how the characters think about this space.

-Chapter 6, section 5 I had Korben Dallas from The Fifth Element in mind when it came down to making one person question if the safety on the gun is on or off. 

-End of Chapter 10 my villain borrows a line from Darth Vader in Empire Strikes Back. When Vader and Boba Fett are discussing the condition of carbon freezing Han Solo. You’ll know when you read it.

 -Chapter 12, Lysandra is trapped inside a mini-theater. This setting was inspired by a recent visit to Castro Theater here in San Francisco. 

The amazing thing about this, is that the theater is in her own head. Not two days after I wrote the scene I was reading a book about human consciousness and was introduced to the concept of the Cartesian Theater. Check it out, it’s a trip.

-At the end of Chapter 16 I let Lysandra quote Princess Leia from Return of Jedi.

Book 2 - Linchpin:
In order of appearance, I think.

​-Conference Room is Room 101 from 1984
-"Face of doom" is a Dane Cook reference from his routine about how to cut in line.
-The Creme fraiche ice cream dessert from the Ice Cream Bar. (If you ever get the chance to go, do.)
-Ho Eriksson, "Ho" is a greeting used in Ender's Game.
-"Comfortable? Cozy?"  Captain Hook from the movie Hook
-"Get used to disappointment." The Princess Bride, of course
-"It's a legitimate question." Ender's Game the movie (not the book.)
-Never do business with people who scare you comes from Firefly
-"Protest, formal protest" is Sheldon from The Big Bang Theory
-A character drops an object as a ploy for something else. This was inspired by Everafter.
-"Allies against a common foe" Galvatron to Hot Rod in the only acknowledged Transformers movie (1986)
-Room A3 is a shout out to Alpha Trion, also a Transformers reference.
-"I am vexed with them" Inspired by Commodus from Gladiator
-"I like him too." Alexandra from The Fall by Tarsem Singh. (Link is to the trailer on You Tube.)
-"It's where I keep all my stuff." From The Tick about why Earth can't be eaten.

There will be a whole new batch with book 3, looking at you Red vs. Blue fans. If you find any not on these lists please let me know.

While looking for something completely different I found this nifty fictional fact sheet. I still marvel at being able to forget the things I've created. If you have no idea what this is talking about then you need to read my books. Ha! #ShamelessPromotion, but you are the one on my website so I think it's okay.

I love going to the movies, always have since I was little. As a fan of movies as medium for telling stories and as a writer I have a keen interest in books with movie counterparts. I personally prefer to read the book first before seeing the movie if at all possible, but that’s just me.

So I have finally gotten around to reading “All You Need is Kill.” This is a book by a Japanese author, Hiroshi Sakurazaka, that the movie “Edge of Tomorrow” is based on. It’s short, a quick read. A little over the top in some places and it does not pull any punches when it comes to war in its purest brutality.
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I had a particular interest in this story because I wanted to see how the author wrote the time jumps and repeats. Turns out, it’s actually pretty simple. Deftly done in way that it doesn’t actually repeat the same tuff over and over verbatim. Sakurazaka switches it up to keep you reading and the pace never slows (the movie handles the looping in a similar way, unlike Groundhog Day.) As a writer, it is worth looking at the technique he used.

The weirdest thing about the book versus the movie is that the plot of the movie is significantly more complicated. Usually you have to strip a novel to just its main action for the sake of time (i.e. Ender’s Game) but not here. Except for a few flashbacks, we pretty much never leave the army base that the main character, Keiji, wakes up in every time he dies.

There is no scientist that worked with Rita when she was stuck in the time loop. And all training is on the day of battle, during the same battle over and over (implied.) No training room montage with cheeky banter. Though seeing Tom Cruise get beat up by robot arms is pretty gratifying.

The movie slows way down when Cage, Tom Cruise’s character, tries to break the repetition of days by running away. This happens in the book too, but only once and it’s a much shorter scene and ends in an unexpected way.

The biggest point of divergence is of course the end. I will not give anything away but I have read other science fiction novels by non-Americans and it’s pretty easy to tell American writers from others, at least with the books I have read. I find writers from other countries are okay with having wide open endings with no sequel in mind. Unsettled endings and unanswered questions, not an issue. Leaving the reader in a destination they had no idea they were going to and have no way of getting back from doesn’t bother them one bit. As a child of the 80s and the American sitcom this is not how I like to walk away from a book.

But anyways, the ending of the book took me by surprise from the moment it started and I liked that. And when I think about how the movie went about solving the problem of the time loop and its creators I just think, why mess with what the author had intended? It was so much better. Why add complication where none is needed?

I’m sure it was a decision made by the powers that be at the movie studio but to me it’s an insult. Either they didn’t trust the actors to pull off that kind of complexity or they didn’t trust the audience to be able to feel something without having to have loud music and contrived conflict. See what I mean? Insulting.
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One point of cool for the book in particular. The author has included an alternate chapter sequence (below.) It ends on the same chapter but huge chunks are moved around. I intend to re-read this book with this order in a few months. I want to forget it a little bit so I can enjoy it more and be surprised again.

If you’re so inclined and don’t mind some colorful language or violent deaths, I recommend reading this book. The movie's pretty good too.

Just finished reading another article about the the importance having a "platform" for new and established authors. I get having a presence, but this whole thing about authors HAVE TO have followers, and traffic stats to their website is a bunch of BS if you were to ask me.

First of all. I don't read blogs, so why would I write one? I know other people read blogs but I'm not one of them. I don't like spending my time on the internet, reading or writing. It takes up my time and creative energy trying to think of stuff to say so why would I use that energy on a blog and not my story. At least with a novel I can get a sense of accomplishment. Not so with this thing.

Second of all. The HAVE TO part really pisses me off. As far as I can tell there is no one way going about this whole writing thing. On one level I envy Phillip K. Dick and Issac Asimov, they didn't have to put up with this nonsense. I do recognize that I would not have the freedom to publish either my if I had been a part of that era, but they did things their way. Why can't I? There is more than one way to succeed and I doubt it will have anything to do with this blog. If the universe wants to prove me wrong, then go ahead.

Thirdly. Stephanie Meyers hasn't blogged anything since October. J.K Rowling doesn't have a blog of any kind, just updates on various HP things. Stephen King just posts stuff about his books. It's one giant advertisement. Neil Gaiman and George R.R. Martin admittedly have more interesting sites but nothing I'm gonna bookmark and check every week.

If those people don't have blogs, why should I HAVE TO? What those aforementioned writers do do is interact. On social media, in bookstores, on other people's blogs. THAT I am down for. Interaction. A conversation. Not this exercise in ego. Say something interesting so the agents will look at you. I don't want to trick people with click bait to going to my website just to get my numbers up. So dumb.

Having a website, yes. It makes sense to have a place where people can go and learn more about the writer and have the opportunity to interact with them but this list of do's and don't's is asinine. The only thing I've seen across all arenas of life, especially in art is persistence, perseverance, and long-suffering. And none of that has to do with a having a regular blog. I'm in this for the long game, it's a marathon, not a sprint. I've set my pace and I have my eyes on the target.

So having said that, I am abandoning this notion of HAVE TO. If I have something interesting to say I will will write something up. Usually if I have something interesting to say it will be on FB or Twitter but otherwise this page will now just be a digital archive of stuff I said once. 

Sayonara people.

Because of the terrible weather that day I didn't make it to the after party for NaNoWriMo. There you can bring two pages of our novel to share. Since I didn't get to share it there, I will share it here.

Downtown Los Angeles, 3:00pm

Lysandra watched the steam from her coffee swirl in the afternoon sunlight. Her mind turned over all the possible explanations for the consistent smell of boiled cabbage that permeated the tiny cafe.

“So...” Matt sat down across from her with his usual glass of whole milk and a warmed chocolate chip cookie.

The Formica table they sat at looked like it had been stolen from a fifties drive-in dinner. The small mom and pop type shop was directly across the street from the Department of Planetary Affairs building. When the DPA had fist moved into the neighborhood people were alarmed by their presence. The imposing uniforms with classified weapons and an association with the government intelligence and the mystique of dealing with aliens unnerved people.

Lysandra imagined this must be what it’s like to be a cop, a strangely contradictory position for her. The nervous looks and the way people moved out of the way for them wherever they went. She had never liked giving the authorities deference and she certainly did not like receiving it.

But now after months, the area workers and residents had gotten used to them and the interactions with public were usually positive. Putting names and faces with mysterious members of the DPA really helped people feel more comfortable with their presence. Most officers had gotten used to the impromptu question and answer sessions citizens asked them. Commander Draegg had been very pleased with this turn of events.

Matt cleared his throat.

“Sorry,” Lysandra shook herself and took a sip from her coffee. “What were we talking about?”

“We weren’t. You’ve been suspiciously quiet all day.”

“What’s suspicious about it? You’re the one who usually does all of the talking anyway.”

“Not all of it. And yes, I have always been more talkative than you, but today it’s like you’re not even here.”

“Sorry, I’m distracted.”

“By...”

“It’s nothing.”

“Uh, I wouldn’t call staying out all night nothing.”

Lysandra could feel the heat in her cheeks. She was not going to be discussing her sex life Matt of all people. The thought made her cringe. How many people knew she had been off the premises all night? Did it matter? She had never cared what people thought about her before, but it could make for awkward working relationships.

“Edward Drake asked me to marry him.”

Matt gagged on his milk and started coughing violently. Lysandra jumped up from her chair and got him a cup of water. She patted him on the back until he regained his composure. “Are you being serious?”

Lysandra nodded solemnly.

“What did you say?”

“What any sane person would say, ‘we’re not going to talk about this.’”

“Uh- huh.” Matt turned in his chair to sit square with the table and held his milk at arm’s length, silent and unmoving.

“Speaking of which, how was your date?”

“Not yet, no changing the subject on me.” He relaxed again and looked at her. “So what are you going to do?”

“Do? There’s nothing to do.”

“Well you have to give him an answer.”

“No I don’t. Where’s the rule on that?”

“Lysandra. Come one. The guy is—“

“Is what, Matt? Being vulnerable with me? Going out on limb? Exposing his soul? What are you going for here, buddy?”

“Okay, sarcasm is your defense mechanism. So for whatever reason, this is hitting a raw nerve. But yeah, all those things. This is some serious stuff.”

“Okay. Now you and me are not going to talk about it.”

“Hey, woman, you’re the one who brought it up with me.”

“True. But only because you’re supposed to agree with me. You’re my friend, on my side, partner.”

“Friends don’t let friends act stupid unless it will be hysterical.”

“I. Am not Derek.” Lysandra tapped the table with each word. “So you do not get to make jokes at my expense.”

“I’m just being honest. I don’t like the guy but I think he’s good for you.”

“Why don’t you like him?”

“For all the same reasons you shouldn’t like him either.”

Esben was the Elbie, not the man. Esben had been the worst of them all and caused all of them the most suffering. Edward, as a host, had not come onto the scene until well after the damage had been done. Being allied with the worst Elbie of them all did not help his case in the eyes of Matt and his friends.

“You mean you don’t like his Elbie.”

“I don’t like either of them, but as a host Edward has really tamed that Elbie and I’m sure the world is a better place for it, even though he refuses to register or cooperate directly with us.”

Lysandra drew doodles in her cup sleeve with her thumb nail. Edward and Esben were very distinct entities that happened to work really well together.

“You’re smiling.”

Lysandra looked up. “What?”

“I said, you are smiling.”

“Shut up.” She sat up in her chair and took another sip of coffee. Matt broke off pieces of his cookie, looking at her. “Fine, Matthew. I’ll think about it.”
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“There ya go.” He gulped down his milk in triumph.