I am in the midst of editing book 3 - Iteration. A lot of shuffling around of things has occurred. A whole lot of deleting and a whole lot of rewriting. Which is great. But it does mean sometimes you have to let that really cool moment go. Below is a such a moment between Lysandra and a kid. I really liked it and I wanted to preserve it in some way. So here is it for you.

NOTE: This is raw and unedited. Even my writing coach's comment was, "massive revision needed." Also, it is very much in the middle of the story and so it may be too confusing to even follow. It could potentially be spoilery, but again, since you have no context I'm not sure it does spoil anything. 

Happy reading!

New York City, 1200 hours
Lysandra had been to New York on several occasions so she knew the city pretty well. With a cup of coffee in hand she took out a burner phone she had purchased at the mall and put the battery in it. She did not turn it on. The coffee did not do a thing to clear the fog in her head from the drug that still lingered in her bloodstream.

She had to hand it to Nolin and Edward. They knew having enough people to confront would not do the trick. Drugging her had been a move neither she nor Esben had not expected. With the help of two Elbie it only set them back a few hours but it had been enough. As she sat on the bench, sipping her coffee, Qur’ag still had to work at keeping her adrenaline at a high level to counteract the drug.

Esben left her at the church to rest while he used the ACS guard to mail her watch to their final destination. This time she had no memories of what happened since she was not actually being active in what was happening to her. But they both knew what had to be done and so he left Qur’ag to complete the needed task. What she was about to do was also needed to ensure their activities stayed off the grid as long as possible.

She sat on a bench inside a fenced basketball court watching kids play basketball. Why these kids were not in school she did not know. Qur’ag protested leaving the church. He thought it best to stay put. That moving about would risk them being seen and worse, getting captured. With a staunch mental shut up at the morose Elbie she left the solemn quite of the sanctuary and went outside anyways.

Patience was a virtue when it came to crime. Crime tended to be a matter of opportunity. Knowing when and where to strike were an art form. It had been some time since she had participated in such activities. But old habits die hard. Fear and survival have a way of hardwiring themselves into all your actions even when you don’t want them to.

“Hey kid.” Lysandra called to a tween age boy with dark mussed hear and dirt smudges on his cheeks. “You got a phone?”

The boy was skeptical. Looked her over with a wary eye. “’Course I got a phone.”

“Let me see it.”

The kid squinted at her. “Why?” He inched closer anyways.

“Here,” Lysandra reached into her pocket and took out her phone and held it out to him. “I would love to trade you. What do you say?”

The kid hesitated, but slowly reached for it.

“Brand new. Only been used once.”

The kid turned it over. It was nicer than his phone.

He furrowed his eyebrows and looked at her. “Why you want mine?”

“When I was your age, I had one just like it. Call it nostalgia.” When she was his age, only rich people had cell phones.

“Nostalgia?” He wrinkled his nose. “What’s that?”

Lysandra blinked, she hadn’t stumped someone before with her vocabulary. “It means a fond memory. Think of your favorite thing.”

“Okay.”

“Then you lost it.”

“Uh- huh.”

“Then, several years later you found it again and it makes you feel happy.”

“Okay.”

“That feeling is nostalgia.”

The boy turned the phone on and went through some of the menus. He held up against the phone he brought with him. “What if someone calls for you?”

“They won’t.”

The kid dug his toe into the ground, openly examining her. Lysandra leaned on her elbows and smiled at him.

“What if someone calls for me?”

“I’ll give them your new number.”

“Well....” he drew out the vowel. “I guess so.”

“Sweet.” Lysandra held her hand for his phone.

He cocked his head to one side as he looked at it one last time and finally handed it to her. Even as they held their new phones he kept looking at the one her hand.

“Come on, Matt!” One of the other kids called from the across the basketball court.

Lysandra sat up.

“Thanks, lady!” The kid put the phone his pocket and bounced off towards his friends.

Matt.

The name rang in her ears. Would Matt approve of her actions? Even as she formed the question another thought berated her for even caring what others thought. But this was Matt. She had never cared about the approval of the crowd, just a select few. And when she was too busy learning protocol or radio code Matt had become one of those few.

Another voice chided her for such sniveling sentimentality. Esben’s reason for leaving Qur’ag with her made sense, the Elbie could be her back up in the same way they had been at the Seattle office. It was unfortunate that it had to be the worst of them all. This arrangement would not work for much longer.

Since the human was the one who had spent time in New York City, she was the one in control for now. Lysandra headed back to the church making several switchbacks and staying under the cover of eaves whenever possible.

Inside the cavernous interior of the sanctuary it was easy to spot Esben’s current host. Mimicking some of the other visitors in the church, she dipped her fingers in the water basin, crossed herself, and made a half bow before heading down the aisle. It was between services at the moment so the few worshippers there were scattered at great intervals throughout the pews.

She slid across the wood seat next to him. Esben had his head craned up, his eyes roving along the curved arches. She waited for him to speak, his eyes continued to examine the structure around them.

She cleared her throat. “All done?”

He reached into his jacket and handed her a receipt. It had the tracking number on it. “It will get there by 10 am, no signature needed.”

Lysandra crammed the paper into her pocket. “Are you sure we can leave your host behind?” His eyes searched the stained-glass stories. “Hey, is everything okay?” She put her hand on his forearm. He jumped at her touch.

“I’m fine.” He finally looked at her. “Each mind is so similar and yet totally different.”

Lysandra took her hand back. For a moment she saw Edward. Maybe it was the effect of his voice inflection. No matter what host Esben inhabited, the way the person spoke came out sounding like Edward. She shook herself. “Okay. Well, we need to get going then.” She put her hand on his neck and waited for Esben to transfer into her. Esben would take over immediately. Not something she really liked but for now it would have to do.

The man’s whole body relaxed. She folded his hands peacefully folded in his lap where he sat like he was praying.

The process is different for everyone. There is no wrong (or right) way to write. Each person has to figuret out for themselves what works and what doesn’t.
 
The Approach
For me the act of writing is a discovery process. Auguste Rodin said, “I invent nothing, I rediscover.” I am a big proponent of the Multiverse Theory and it’s infinite possibilities. As far as I am concerned each story world is it’s own reality. I’m a visitor looking around and taking notes. My characters are largely independent of me. They have the ability to surprise and infuriate me, just like all the people in my life. When I am not thinking/writing about them, they go on with their lives regardless of my attention. Even in world building mode when I am trying to construct systems of government and politico dynamics, et al, I still have this sense that, like Michaelangelo, the shape of the thing I’m trying to create is already present in the mass/mess, but I have to put in the work to reveal what has been there all along.
 
 
The Method
Generally speaking when I start a story I have two things to work with. A character and the ending. I usually know how a story will end but I have absolutely no idea how I will get there. I am a panster by nature. Whether or not you choose to outline, here’s the thing, a lot can happen between bullet points. You may have a list of well thought out plot points but how you move characters from one plot point to the next is still a crap shoot. There are a lot of choices to make for every scene and how you transition from one scene to next. Anyone of those choices can render the rest of your plot points totally moot and you have to rethink what happens next. Again, this is my writing style. Some authors wield an iron fist over their creations and have absolute control at all times, if that is you, must be nice.
 
The other element I have to work with is a person. Characters are the most important part of a story to me. Clever ideas are good but very few people will stick with you solely because of a cool premise. When I start there I usually have an image in my head and there is at least one person at the center. I have no idea who they are or what they want, but they’re there waiting for me to find out. I used to just start writing, using that one image in my head as the starting point for my exploration. Lately I’ve been intentional about figuring out who the character is first. The internet is full of tools for character building. The one that has really helped me story wise is K.M. Weiland’s book, “Creating Character Arcs.” The time I put into going through her questions and developing my main cast before I start writing has really helped me to understand who these people are. As a bonus I get all kinds of awesome plot ideas. Because the plot is largely determined by the characters, if I have no idea who they are or what they want then I have no story.
 
 
The Hard Part
Writing. Panster or plotter it makes no difference, writers write. Full stop. The internet is rife with memes about procrastinating writers because it is true. Why do so many of us avoid that which we long to do? Ask ten writers and you’ll get ten answers. Whatever the reasons, you will have to wrestle yourself into submission on that one. But there will come a time when there is nothing left to do but put words to a page.
 
Soapbox Tangent
It has always annoyed the crap out of me when people casually declare they will write a book someday. I think because they are literate and know how to construct a sentence they assume a book should be any easy thing to do. Well, it’s not. If it was easy there would not be thousands of how-to books on the subject.
 
Okay, now that I have that off my chest…. Whatever you have to do to get those words down, do it. Habit is your friend. Our brains love routine and patterns so if you can write at the same time everyday (week/month/year) it will help creativity to flow a lot better. I trick myself by saying I only have to write 500 words. That’s it. As an example, the first two sections of this entry are about that. BUT, once I get rolling, I don’t usually want to stop. It’s the getting started part I find hard.
 
I have to schedule my time. I make appointments with myself and do not change them for anyone. There will be a million opportunities to interrupt you so schedule time when you can be the least demanded upon. If you are so popular/busy that this is impossible then you are going to have to choose writing time over social time. If you are serious about writing you will find a way. One of my writing partners is a mother of two little kids. She writes when they nap. Sometimes she can’t because of other things she has to do, but when she can write, she does. Progress is still progress no matter how slow.
 
 
In Conclusion
This is my method. You need to find your own path but it’s always nice to know how other people go about it. Other strong suggestions are: read (fiction and nonfiction, in all sorts of genres,) talk to other writers, and find other writing to workshop your work. It’s scary letting other people see your work in a raw state but you will learn a lot and improve by leaps and bounds if you can take to heart their suggestions.

One of the best parts about being a fiction writer is all the lying. You can make up anything you want BUT it still has to be believable. Meaning, the world of your story has to have an internal logic that works within itself. 

No matter what you end up writing, chances are you will need to do research of some kind. Maybe it's just fighting styles or how far away point A is from point B. I have had to do research for each book that is all very different from book to book. I love to learn so this is always a fun part for me. 

TRESPASSING

I started with investigating the basics of neuroscience to see how the brain works and also particle physics because I wanted to base the Elbie on something. I love the sciences in general so this was a easy ask (of myself) and I still read neuroscience books when I find them because the human mind is a weird and wacky place.

 LINCHPIN

The big difference here was I was dealing with a people group from another culture so I wanted to make sure I represented the people correctly. I had found a bunch of videos on YouTube that were filmed in India with the desert tribes. I noticed they were posted all by the same person. So I contacted him, Rolf Lunheim, and asked him where I could find more information and he told me where to buy his book. He is an anthroplogist and studded the people group in my book.

I read Samit Basu's scifi books to get a feel for how someone from that culture writes about their own culture in the scifi genre. Here is the thing I discovered. No matter what background your characters come from we all experience love, pain, betrayal, friendship, disappoint, et al in similar ways. 

​For extra measure I asked a few Indian friends to read the book to make sure I didn't have any blind spots.

ITERATION

This book went in a direction I could not predict when I started this series. It also went into a realm that have very little knowledge of. I won't say much more but hopefully this example of my reading will get you excited for where this series is going. 

I was scanning through the site and saw this:

https://www.elbiefree.com/rants-n-raves/state-of-the-trilogy

And realized WOW, i did not make my goal. In the above mentioned blog I said book 3 would be done by 2018 come hell or high water. Well, it's not done and here's what I have to say about that. I did finish complete the 1st draft that November and at over 120k words.

Then it was submitted to my critique group. We have a 5k word maximum for each submission so getting the whole thing by them took most of a year. I also had my writing mentor read it. After it was all said and done I have over 600 comments to address and who knows how much rewriting and restructuring. Not to mention I am still reading several books to make sure I have correct ideas. 

So all that to say. It's really, really, happening. 70 chapters. New characters and old. And completed character  arcs to boot. It's gonna be good y'all. I can't wait for you to read it. I will be asking for beta readers. If you are interested please hit me up on Twitter or Facebook.

​Here is what editing a novel can look like.

If you're a writer type, it's possible that you have heard about this little thing called National Novel Writing Month. I did NaNoWriMo for the first time in 2009. It was spontaneous choice I made on October 31st. As suggested by the NaNo handbook, I acrually started with "Once upon a time." I had no idea what my story was going to be about at all. And yet... something happened. 

Here's the thing you need to know about my writing process. I spend years mulling over my stories. Characters live in my head for years. Years. Lysandra first came into my brain in 1988. My next story world I am working has been in my head for 20 years. To start a story with absolutely no ideas of any kind was terrifyig. 

And yet.

Day after day as I pushed myself to get those 1667 words down and somehow people sprang from the page along with locations and situations just appearing from the depths of my being. It was hard and exhilerating. Some days I was was just exhausted and other days I was sentence dynamo.

I've won NaNo three times. And I can say that once you hit 30k, you feel invincible. After that, another 20k feels like a breeze. I like partcipating in NaNo every year to help push myself to get a lot done. It helps to get my writing habit back on track. And it is fun meeting with other writers. I never regret talking to other writers.

My favorite part about NaNo is that even if you don't "win", you still do. You may not reach 50k words but you will have a whole lot of new material and that is the most important part. You have something on the page if you are ever going to be a writer. 
​
If you are trying to decide if you should do it or not, I say go for it! NaNo is not for everyone, but I think everyone can benefit from pushing themselves to the brink like that, at least once. You will be surprised at what comes out of you. 

Book 3, Interation, is completely written. It's not edited, but it has a proper begining, middle, and end. After finishing the third installment I realized that book 1, Trespassing, needed a little retcon (retroactive continuity) work. 

So here we are with the 2nd edition. Expanded with new scenes and updated so that it flows together with the events of book 3. Book 2 will need a couple of things changed, but not nearly to the level that Trespassing needed it. 

If you are a writer I have one piece of advice. I beg of you to heed - WORKSHOP YOUR WORK. If you do nothing else, do this. I don't mean have a couple of your friends read it. I mean find some fellow writers and let them give you feedback. 

It is not easy to do, but it will make you a better writer, 100% guarenteed. 

If you never got the chance to read the 1st edition, sorry. If you're back for the 2nd edition, I want to say THANK YOU and I hope you enjoy the changes and I would love to hear from you about the second read. Below is the first page of the new edition. You can pre-order Trespassing 2.0 here.

Once the Silicon Valley Con is over I will get started on the edits for book 3, I promise. Next Year I will also have the release of a graphic novel too, so 2020 will be a very exciting year. Until then, happy reading!

I know, I know. It;s been long time since I posted. Way longer than I would like to admit, but I have been busy. Plus I dom't liking blogging. It's not true to who I am so I don't do it that often. You can read about that here:

Why I stopped blgging.

I will be updating soon. I just approved the cover art for my graphic novel. That was a whole ordeal unto itself. AND I will be turning over Trespasing 2.0 over to my editor in a few weeks. Which is the thing I actually  want to talk about. Stay tuned.

​Jurassic World: Fallen Kingdom comes out this week. I am looking forward to it. I have seen some of the headline reviews for it. Not good. But I don’t care because – dinosaurs. Someone said to me, you mean Chris Pratt. Don’t get me wrong, I love Chris Pratt but for me it’s about all the dinosaurs. The trailers are absolutely bonkers. I am not expecting an Oscar nomination kind of movie. I am expecting loads of dinosaurs.
 
When you were a kid you saw a movie you loved it or you didn’t and you moved on. Can we get back to that place of simplicity and purity?
 
I am all for deep, philosophical thought about story. I spent four years in university doing that. I have loved Transformers since they first appeared on American television in 1984. I just bought some recent IDW comics because they know what they are doing so I give them money. I hate the Michael Bay movies and while I have some strong opinions about how he has handled the franchise, I am not going to freak out on him over Twitter. I have better things to do with my emotional energy than get upset over one person’s interpretation of a fictional universe.
 
I’m not saying don’t be passionate about these other realities. Passionate fans are awesome and amazing. I feel very deeply about my Autobots and Decepticons. I have a vested interest in the Skywalker legacy. The fate of Doctor Who & Co mean lot to me. Be the best fanatic you can be. But if being a fan makes you jerk you need to take a step back.
 
If you say Michael Bay, Rian Johnson, Paul Feig, or whoever ruined your childhood, then you are giving them way too much power. Michael Bay may be a terrible director but I still get to enjoy my favorite thing all the more because of his stupid version of it. So I begrudgingly thank him, but I will not spend any more money to see his movies. I will not waste my breath or any more head space on the matter. I don’t want to live my life in a whirlpool of negative emotions over a fictional universe. It isn’t worth it.
 
There is nothing wrong with thoughtful, articulate criticism. And you have the right to your opinion, so by all means state your opinion. But the right to your opinion does not give you the right to be an asshole. Sorry, it doesn’t. If you are so angry or upset about these fictional universes I say it again, take a step back and a deep breath. These things are there for entertainment and if they no longer give you joy, regardless of the reason, check yourself first. There are too many people in your life and real world issues at hand to give yourself away to a fictional universe that causes you such anger or anxiety.
 
Will Jurassic World: Fallen Kingdon be a good movie? I don’t know. Will it have dinosaurs? Yes. I think I will be terrified and satisfied with the latest installment of a franchise that should have stopped at the first movie. And if I’m not, that’s okay too. I still got my t-rex so I’m fine here. Find what makes you happy and follow that, let go of the rest, you’ve got better things to do with your time and energy.

You poor, delusional soul.

People have this idea that they can write a book because they can write a sentence. Not to downplay that achievement at all, but writing a book that a total stranger will want to read is a lot more than the accumulation of sentences. You have to make a total stranger care enough about what is on the page to finish the book and THEN, if you’re good and maybe somewhat lucky, they will tell another person about it, who in turn may decide to read it too. This is no small feat my friend. These days there are so many things trying to get the attention of consumers that knowing how to spell or construct a beautiful sentence is not enough.
 
I don’t understand the pop culture mystique around being an a writer. In TV show or movies, the writer’s life is portrayed with a kind of wistful bliss. The aspiring writer gazes dreamily past their blank page and is lost in another world. This happens a lot but it doesn’t get any writing done. In Terry Brook’s book on writing, he talks about how the writer has to live in two worlds at the same time. I totally get that.
 
What is this desire to capture thoughts on paper? Thoughts are so fleeting. Writing it down makes it concrete. You can hold in your hand, look at it with your eyes and really contemplate it. I find it hard to focus on one thing for more than a few minutes. Having a focal point that I can actually look at helps to keep my thoughts from wondering too far from their original objective.
 
There are times when writing is easy, really easy. More often than not, writing is damn hard.
 
Where to start.

Write. Get your 10,000 hours in as soon as possible. Write when you don’t feel like it.  Write even if the story totally sucks. Just keep going. Practice really does make perfect.
 
Workshop. Once you’ve got something to share, give it to other people (preferably writers) and get their feedback. It can be intimidating but it is the fastest way to improve. All writers have blind spots in their work and having others read your work will expose those, then you can fix them. Eventually you will see them on your own and you will be on your way to being a better writer.
 
Habits. If you write every day or the same day every week or month, it doesn’t matter in the sense that your brain loves pattern. If you create a pattern it will prompt you do that thing even when you are in the middle of something completely different. Habit primes your brain to get ready for the next activity. If you are already primed, the creativity has a lot easier time of flowing. So create a habit, whatever days and times work for you just make sure you push through the initial few weeks to form that habit.
 
Take classes. I started at my community college taking the same creative writing class with the same teacher several times. There are tons of online classes. I recommend SavvyAuthors.com. If you can’t take a class then read books about the craft of writing.
 
Read good books. When I read a high-quality author I feel like my writing improves. Our brains absorb information all the time so be sure to fill it with good writing. (Reading bad writing is good for you too, but in a different way.)
 
Research. Again, because your brain is a sponge, read non-fiction books. Even if you don’t catch all of it, that information is now floating around in that gray matter in your skull and will come out on the page.
 
If you’re still committed to the act of being a writer I find that reading books about writing from other authors is really encouraging. My favorites are by Ray Bradbury, Terry Brooks, and Stephen King. 

I am happy to answer any questions you may have about writing so please contact me if you think of anything. Otherwise I say- happy writing!

​I’m done!
 
Sort of.
 
I can’t believe it took me almost three years to get through the first draft of book 3. But I have completed the final scene, full story arc complete with an inciting incident, defeats and victories, and of course the climax and falling action.
 
But wait there’s more!
 
The first draft, phase 1, is just the beginning. On to phase 2, the rewriting. This is where I get to take all the feedback I’ve gotten from my workshop group and my writing mentor and make upgrades. Rewriting is the heart of writing if you ask me. For a pantsters like myself (writers who don’t use plot outlines,) writing the first draft is like wandering around a dark room trying to find the light. As you grope around you get an idea of the shape of the room and what is in there. Turning on the light is finishing that draft when you get to finally see what it is you’ve got. Rewriting is my favorite part because now I get to really dig into what I’ve discovered and hone it into the best it can be. This is my chance to bring things out, dust them off and let them shine. I can do more nuanced dialogue, stronger foreshadowing, and get the continuity of action shored up.
 
Phase 3 will be finding Beta readers. Phase 4 is the editing from that. And once I am truly convinced of story and all of its parts, I will finally be at phase 5, the actual editing from a professional editor (because you should never edit your own work. Never ever.)
 
Once I make all the updates I get from the editor, a little bit of formatting and THEN I will be ready to publish.
 
Woo.
 
I still have a ways to go, but I’ve  gotten through the gauntlet of getting my idea on paper.